Developing the narrative of the film project

The departure of the story now is that of a subject creating his own reality as a means of escape from the collective reality of the contemporary city (this concept appears also in Part I). Following this idea, the structure of the narrative is divided in two parts, which are articulated through the element of the ‘temple’ (container of spatial system), differentiating between an outside and inside, between one reality and another. The first part is a collective urban reality (outside the ‘temple’) as an introduction representing the context-site interpretation; the second part is a synthetic reality projected by the subject (inside the ‘temple’) as a representation of mental space and time. The development of the narrative within the synthetic reality follows the analysis and mapping out of ‘Last year in Marienbad’, throughout the five sets (corridor, hall, room, gallery and garden).